I recently read Melinda Snodgrass's The Edge of Reason, a book that I generally enjoyed. It's billed as "A novel of the war between science and superstition," which is a somewhat misleading title, as becomes apparent when you read further. Still, it's a very entertaining book that deserves a wide readership.
Set in Albuquerque, New Mexico, the story is essentially the same story that's been told, well, forever: the question, essentially, of the mental and worldview changes that are forced into relief when "progress" and "tradition" come into conflict. A beat cop with a tormented past that he's desperate to have forgotten gets caught up in the mix because he's "chosen," in a peculiar way, and, lo and behold, becomes the linchpin when he can literally pull the sword from the metaphoric stone.
What Snodgrass does well is tell the story with an air of self-irony; she chooses her puns deliberately, if effectively, and does a good job of casually dropping in references to ancient versions of this theme -- back to Cain and Abel, which saw farming and settlement (Cain) displace/murder the traditional nomadic, shepherdic way of life (Abel), as well as other ancient variants of the same. Snodgrass also manages to work in an interesting twist on the traditional Gnostic narrative, to the point that I will be utterly unsurprised if a character named "Sophia," or some variant, appears in a sequel.
There are two basic complaints I have about the novel. The first is the pacing; the book moves along at different paces, to occasionally awkward result. There's a tension between writing this one short enough as to set up a sequel, while still keeping the story going long enough to show some of the potential for continuance necessary to have a satisfactory setup for the sequel. This is a "push," really, particularly since the end feels simultaneously rushed and needlessly sparse. A second complaint is that this novel, for long stretches, feels like a reinterpretation of American Gods. Hey, I liked that book a lot, too, but I didn't need to read a reinterpretation so soon.
Whether Gaiman's obvious influence on The Edge of Reason is a selling or detracting point, the book was entertaining, read well, and had a lot of nice subtle humor spaced throughout. It also had a few surprises along the way, which is no small feat in a book whose basic plotline is necessarily known from the first words. Bottom line: I'm looking forward to the sequel.










